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artist: Naresh Kumar



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Relation Between Black and blood
© » KADIST

Naresh Kumar

Drawing & Print (Drawing & Print)

“Relation between Black and blood” explores the connection between performance, installation and representation. The artist’s use of watercolour is inherited from Mughal miniature painters who migrated from Delhi to the East India Company on the Ganges for the opium trade. The Miniaturists used cheaply available transparent Mica to paint images of the water carrier, the cobbler, dancers, prostitutes, wanderers and god men.

Walking on the roof of hell
© » KADIST

Birender Kumar Yadav

Installation (Installation)

Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana. The forests were felled and immigrants from northern Bihar and South India were brought to exploit the mineral resources. The Indigenous people were then dispersed to live nomadically, engaging themselves as seasonal workers in farms and industries.

Erased Faces
© » KADIST

Birender Kumar Yadav

Drawing & Print (Drawing & Print)

Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana. The forests were felled and immigrants from northern Bihar and South India were brought to exploit the mineral resources. The Indigenous people were then dispersed to live nomadically, engaging themselves as seasonal workers in farms and industries.

Birender Kumar Yadav

Birender Kumar Yadav is a multi-disciplinary artist who experiments with various media including painting, sculpture, photography, installation, etching, found and man-made objects, as well as live documentary...

Naresh Kumar

Naresh Kumar (b...